Teaching & Learning Seminar – 17.02.20 – Thoughts

I really enjoyed the group participation studies from last week’s teaching and learning seminar. For me, the activities provoked a heightened sense of self-awareness, for example I became more conscious of my degree of participation in some activities which was visually represented through the number (or lack of) playing cards acquired.

I am usually very anxious within group speaking tasks as I fear my opinions are not valid – perhaps a sense of ‘imposter syndrome’ occurs in scenarios where my knowledge/values/opinions are called for (what feels like judgement) by others. This, and the fact that I have a preference to hear and learn from others, means I feel as though I am often quieter within group scenarios (although others say they do not notice this)

Thinking about why this is a common personal experience for me in group scenarios, I relate back by asking to what extent my personal history plays in my experience of learning. How did this imposter syndrome feeling manifest? Why? How has this limited my learning capabilities? Despite this, and during this particular session, I actively participated in all discussion points in every game. The group was collaborative and I felt as though the discussions we had were varied, with depth and well informed.

My experience here is relative to the theory of understanding that Gadamer highlights, namely the importance of participation and the state being ‘outside of oneself’ as crucial for understanding. He says ‘this ‘opening up’ to meaning ‘other’ than your own is crucial if any common understanding is to be reached’. I feel as though my experience of the games during this session and the learning outcomes for me are aligned with Gadamer’s participation theory of the engaged player discussed in the chapter.

This leads to me to assume that such activities could be applied in my own teaching work to encourage group participation and achieved learning outcomes as an ‘engaged player’ to enhance understanding.

The second activity, the band marking matrix, was also an enjoyable task. I am someone who myself likes to work closely alongside the relevant marking criteria to self-assess my standard of work in order to identify areas of improvement. We had an interesting discussion, talking about the parameters between two grades and the associated band descriptors. I recognise this task as a good goal setting exercise to encourage an aspirational work ethic from students.

Task 3 was centred on the design, practicality and implications of the TEF awards; a quiz was created to represent the TEF in terms of the key performance indicators: the ‘flags’, differentiating metrics, set algorithm designed to result in a specific ratio of awards metrics and written statement.

As someone who did not complete the pre-session quiz, I was unable to be an active participant in the quiz game when it came to the results/receiving flags and so it did feel a little exclusive at times. For this reason, my attention span and engagement during this part of the session declined somewhat.  If I were to recreate a similar type of task in my own teaching environment, I would create the game to be a little more inclusive of all participants within the room to ensure a collective learning environment, for example by creating a mini ‘live’ game to be played by the non-quiz answering students at the same time.

Having said this, I do also appreciate that this task was meticulously designed with a view for students to explore and unpack the successes and/or flaws of the TEF awards and I feel as though the objective of the activity was met.

In the final activity, we worked in groups to explore what values and knowledge is required in higher education teaching to ensure content is taught well. What we identified was that the values that we thought should be inherent were around empathy and compassion in contrast to those outlined in the UK Professional Standards Framework (UKPSF) which seem less intuitive.

In addition, when reviewing the same for ‘knowledge’, we aligned more closely with the UKPSF and related knowledge to the context of professional discipline. This task was relative to the 3 case studies (themes: Planning, Teaching and Assessment) expected as part of this unit which are required to meet the requirements for Associate Fellow of the HEA. It was interesting to see where our opinions were aligned with the UKPSF ‘standard’.

I do wonder whether this task could be remodelled to focus on the inherent traits of a good student. For example, as the teacher, I could ask the students to look at what values they think they need to be a ‘good student’. I think this type of activity is important in the learning environment in order to build good teacher/student relationships, set boundaries and outline expectations of each other.

Overall, I enjoyed the activities within the session. After completing the activities, I do feel as though the energy in group participation must be equal or similar in order for the true learning outcome of the task to be realised. For example, all participants must be willing, engaged and active in ‘play’.

Because of this, to maximise my in-class participation and engagement I have identified that I should aim to improve my knowledge by working my way through the PG Cert reading list at a quicker pace and also improve organisation skills particularly with a view to complete all pre-session tasks.

Disability in the Arts & HE

Article for Deaf-Accessibility for Spoonies: Lessons learned from touring Eve and Mary Are Having Coffee while chronically ill (Khairani Barokka)

This written piece by Barokka powerfully depicts the (often covert) bouts of pain she experienced while touring her performance piece, to illustrate the very nature of that same pain as a result of chronic illness. In her own words, she created the tour to ‘illuminate the pain where the sighted saw none’.

Barokka has approached the production of her work holistically in the context of accessibility for the disabled by making it accessible to all including those with verbal or hearing impairments. In my own teaching practice, adopt some of the elements of Barokka’s approach to the delivery of her production, including:

  • Performing in wheelchair accessible venues
    • Although my teaching practice does not involve performance, it is possible for me to consider the use of wheelchair accessible rooms for teaching or ensure places visited/recommended to visit for assignment-related tasks are wheelchair accessible for those with physically disabilities
  • Provided the script via a Google document and link provided for the deaf/hearing impaired audience members, who were also given iPads/phones to read the poetry
    • I will consider providing teaching materials/session resources via early digital access for those who are hearing impaired. Although it is most likely that any teaching budget provided may not include the provision of iPads/iPhones, I can seek to incorporate the students own digital devices into the teaching session content to improve engagement of those with specific learning requirements.

Other small but crucial changes that I can implement in my own teaching include:

  • Not making assumptions about a person’s illness just because their pain does not physically present itself to the eye
  • Being empathetic to those who are experiencing chronic pain or any other disability-related pain (physical, emotional or psychological) and acknowledging the mental health issues of those

Nowness: A film by Todd Selby interviewing Christine Sun-Kim

In the short film ‘Nowness’ by Sun-Kim, she explains how she was confused about the ownership of sound growing up, describing how it ‘belonged’ to those who could hear and not herself as a deaf person. For me, this provokes thoughts around perception within the teacher/student relationship; as the teacher, am I aware of how those with visual/hearing impairments perceive my teaching content? How can I adapt my work to ensure that it can be interpreted comfortably by those with visual or hearing impairments?

Sun-Kim goes on to explain how she wanted to ‘explore sound without a mediated interpretation of what sound is’. Immediately, this draws my attention to the historical pedagogic practices and narratives around disability that have been exclusive and oppressive of disabled students. Why have those who are not hearing-impaired assumed ‘ownership’ of the perception of their own sounds and other senses? In order to challenge this and take a step towards dismantling socio-economically constructed relationships between the perhaps dominant (able-bodied) and the dominated (disabled), a more inclusive learning environment for both teacher and students must be created in the classroom. This could be done by introducing more inclusive teaching practices, for example:

  • Introduce the works of critical pedagogy academics (e.g. Paulo Freire (1968). Pedagogy of the Oppressed ) to dismantle oppressive perceptions around disability
  • Referencing work of artists/academics who are considered disabled for an alternative narrative and encouraging students to do the same in their own work
  • Varying teaching methods to include ways of learning through visualising, listening and/or doing

Interview with Vilissa Thompson, creater of #DisabilityTooWhite

The viral hashtag #DisabilityTooWhite was created by Vilissa Thompson. Thompson calls out the lack of representation for disabled people of colour from the ‘organisations that are supposed to empower us’. This is a very impactful statement, because it begins to put into perspective the scale of social injustice experienced by disabled POC – the organisations that are supposed to empower us are most certainly those within large organisations such as education systems and media outlets for example.

In my own experience, during 18 years of UK state funded education, I would say I know how it feels to have no representation as a POC within the learning/teaching environment and also within employment settings. I have been conscious of this for as long as I can remember and I would say from experience it has moulded some of my expectations and perceptions of the world and certainly my personal identity. I feel as though I can connect in some way to Thompson and her concerns. However, this is exacerbated, as there are people who are black AND disabled and are experiencing another layer of intersectional marginalisation beyond what I have experienced – that’s two fundamental pillars of the equation of identity to be overlooked and undervalued.

Thompson goes on to say ‘We feel isolated and outcast when you don’t see people who look like you, not just racially but disability-wise’. The fact that her hashtag went viral with much support but also with many critiques shows that there are a silenced, but wide-spread group of people who feel marginalized, but then there also exists a group of people who have institutionalized narratives engrained into their core and wrongly disagree with another person’s (subjective) feelings. Furthermore, the disparities between being black and being disabled are highlighted as Thompson discusses the gap in ‘minority’ communities when it comes to representation of disabilities; she calls out African American organisations in particular.

In reflecting on some of the advice that Thompson offers, I can apply some of these suggesting to my personal character, but also myself as a teaching in the learning environment:

  • Understanding my able-bodied privilege or encouraging others to acknowledge their white and/or able-bodied privileges
  • Speaking up when I see things that aren’t ok or perhaps could better represent disabled POC
  • Become allies for disabled POC by acknowledging and taking the time to understand their truths

UAL Disability Webpages

The UAL disability service provides support those who are considered disabled or with specific learning differences e.g. dyslexia. As someone who is entitled to the help that this service provides myself, I find these pages to be very useful.

One thing that has made my experience of this service easier, is the complete lack of judgement or bias from the support team. Those who provide the support service are understanding, compassionate and accommodating to your needs and I did not feel ashamed to discuss my support requirements. This is important as I do not feel like I could be so open and honest with perhaps a tutor or teacher who may not be so experienced in dealing with someone with specific learning requirements.

Moving forward, I will be encouraging all of my own students to explore the UAL disability pages and/or actually visit the office for face-to-face discussions. I feel as though it is important to offer this to all students and not just those who are knowingly disabled or with specific learning requirements as there may be someone who is not aware that they could be entitled to support that hasn’t had this realised yet.

I would also consider explaining to my students my own experiences with the UAL disability support team to show that like them, I am human and I do need to make adjustments in the learning space – this may then be less daunting and could encourage students to seek advice.

To conclude on summarising all reference material discussed above, an awareness campaign on dominance vs. marginalisation of those that have disabilities is needed to progress past the marginalisation that disabled POC experience today (Applebaum 2001).Ultimately, I feel as though as a teacher, more exploration is needed on my behalf to grasp a better understanding of the experiences of disabled POC. As a teacher, it is important that I can model the correct behaviours that improve accessibility and encourage inclusivity and diversity and dismantle the institutionalised concepts that innately exclude and oppress marginalised groups. In doing this, I would expect a trickle-down effect on my students, which I hope can encourage them to adopt similar behaviours which they can also apply beyond education and into the creative work field.

References

  • ‘Deaf Accessibility for Spoonies: Lessons from touring Eve and Mary Are Having coffee while chronically ill’ – Khairani Barokka (PDF on Moodle in ‘Blogging Tasks’ Reading materials’)
  • Nowness: A film by Todd Selby interviewing Christine Sun-Kim
  • #DisabilityTooWhite article / interview with Vilissa Thompson
  • UAL Disability Service Webpages

Additional references:

  • Applebaum, B, 2001. Raising awareness of dominance: Does recognising dominance mean one has to dismiss the values of the dominant group? Journal of moral education. Vol. 30, No. 1.
  • Anthony J. Nocella, 2008. Emergence of Disability Pedagogy. Journal For Critical Education Policy Studies, 6, (2), pp. 77 – 94. DOI: http://www.jceps.com/wp-content/uploads/PDFs/6-2-05.pdf
  • Beckett, A.E., 2015. Anti-oppressive pedagogy and disability: possibilities and challenges. Scandinavian Journal of Disability Research, 17(1), pp.76–94. DOI: http://doi.org/10.1080/15017419.2013.835278